Tree VI by Holger Lippmann

Holger Lippmann's art, driven by algorithmic methods and digital software, transforms ordinary color boards into visually striking and abstract pieces. His 'Flow[R]Field' series, featuring a vertically accentuated narrow format and gentle color palette, delves into the duality of representational form and digital aesthetic abstraction. Lippmann's 'Uncertain Layering' work, based on the Perlin-Noise algorithm, generates rhythmic and harmonious color patterns, while 'Crimson and Scarlet' presents a digital interpretation of Japanese floral themes.

• Method: Digital or Computer-Assisted Painting
• Background: Born in 1960, studied painting and sculpting, then developed computer drawing software
• Lippmann's images span representational to abstract, like flowers to matrix structures
• Lippmann's work remains grounded in reality
• Algorithm-based work begins with a regular color board
• Lippmann's software breaks down color wheel phases into rhythmic geometric structures
• Flow[R]Field series explores representational form and digital abstraction
• Lippmann creates unique, psychedelic textures for his color landscapes
• Lippmann's work balances artistic disassociation and realistic reproduction, old and modern